Traversing your early 20’s can be an extremely difficult challenge for many. Caught between college and your first ‘professional’ job, these first few years of full blown independence are almost impossible to figure out. Sam Pine explores these feelings of uncertainty and feeling caught up in his own personal anxieties and the changing tumultuous world around him on the songs that make up his debut album Evergreen. A trendy Bedroom Pop album, Evergreen was crafted entirely fr

The year is 2011. A thirteen year old version of me is playing FIFA 11 on my XBOX 360 as I play hooky from school because my first girlfriend broke up with him after a long one and a half weeks of being together. As I sip on a Dr. Pepper from the refrigerator, contemplating if the reason she broke up with me was the fact that I only ever had one conversation with her in the entirety of our relationship, a younger version of me hears the guitar riff of the song 'Rules Don't St

Grief hits people in a myriad of ways, whether it’s taking time away from the world that surrounds us, or getting stuck into a creative endeavor right away, we all have our own way of dealing with loss. When Lucie Murphy’s father passed away, Lucy got to work writing songs for the album that would eventually become Vestiges. For those unaware, vestiges means a fragment of something that no longer exists. Within the 11 tracks on Poise’s latest record, we see Murphy coping and

Sometimes, when two artists collaborate on an album or an EP together, the end result feels awkward. On Here As One, Fried Monk and beautiful-fortune show that they are collaborators that can keep elements of what makes them unique intact while creating a sound that stays true to their individuality as artists. This isn’t something that can just be created inorganically, however. Both members of the Philadelphia music scene for quite some time, it is apparent that both Fried

The culmination of unapologetic youthfulness, boys cruise storm into your ears with a sense of urgency on their unkempt yet accessible self titled record. Hailing from the very active music scene surrounding the University of Vermont, Boys Cruise consist of two members of the noise-punk group, Pons, a group who I am no stranger to, having covered them in the past on this very site. On their self titled release, boys cruise create songs that have more accessibility than I woul

For many artists, attempting to traverse unknown ground can be a big creative challenge that some give a thought to, but never act upon it because they are too scared or unconfident. For Frances Tait, this is not the case. Frances has been an active member of Melbourne’s rich music scene, playing in psychedelic surf rock groups, jazz bands, and blues groups. With his new project, Quality Used Cars, he conquers a new sound, and fronts a more straightforward singer/ songwriter

In a year where there was barely no live music to be found, Vermont based Post-Punk band Pons wanted to give their fans a little taste of what they are missing on their live album, Bird and Boy. The album, and film the band released alongside it, make it their mission to come as close as they can to transporting the listener to a live Pons gig, minus the sweaty venues, crowd antics, and Pons’ insane crowd interactions. The live followup to their September 2020 full length alb

On their debut record, L.A. based dreamgaze band, Soft Blue shimmer, explore their chosen sound throughout 9 songs about the budding and breakdown of human relationships. Soft Blue Shimmer are a great example of a band who fully embraces their sound to its truest form. On the 35 minute album, the thing that stuck out to me was just how comforting this whole record felt throughout. Even if some tracks are generally about wanting something back that you once had, musically, thi

CHERYL, the sophomore album by Los Angeles based artist, Ember Knight, is a lovely yet bizarre exploration of what a Rock Opera can truly be. Set in an alternate society, CHERYL explores the story of a girl who wakes up one morning and cannot seem to remember what her favorite color is. Not remembering this little fact about herself gets her committed to an asylum. Cheryl is not able to get out until she remembers what her favorite color is. As you can see, Ember Knight puts

Ways of Hearing by Philadelphia band The Goalie’s Anxiety At the Penalty Kick reminds me a lot of a fragile glass vase, ready to break when you give it the slightest gaze, but somehow stays upright. There are moments where this metaphorical ‘vase’ may break and shatter into millions of tiny pieces, but the band finds a way to glue them all back together in an instance. The Goalie's Anxiety At the Penalty Kick have created a perfect album to listen to in the moment, it’s lush

When we look back at the year 2020, it is safe to say that there will always be one thing that immediately jumps into everyone's head. The Coronavirus pandemic has affected almost everyone in some shape, and has caused some people great depression. It is safe to say that this year has challenged everyone in some way. We often forget to think about the people around us though and how they are dealing with the world as we know it. For The Big Easy vocalist and guitarist, Steven

Sometimes, when you listen to a record, you can immediately tell that an artist has put a significant part of them on the line for the listener to digest. Auto by Wendy Eisenberg encapsulates that better than any album I have heard in the year 2020. Wendy Eisenberg proves that they have a vast knowledge of music and displays that across 13 breathtaking songs that feel minimalist yet chaotic all at once. So many of these songs display the various musical experiences Wendy has

On Of What We Have, The Most create a sprawling piece of art that is very difficult to pin down into one particular box. Usually, I feel as if saying something doesn’t fit into generic standards is a bit of a cop out, but The Most have really perplexed me and challenged me on their sophomore record. Of What We Have is an exercise in taking rules of certain genres and throwing them out of the window. When I heard that this album was deeply rooted in Jazz, Math Rock, and Punk m

On Hard to Care, Clifton, New Jersey dream-pop/emo band Heavy Sigh deliver songs that find beauty in the most vulnerable pits of human emotion. The album feels like a therapy of sorts for its creators as they navigate the complications of relationships and loss in general. These experiences may be independently felt by one member of the band, or shared by Heavy Sigh’s five members, Suzy Forman (vocals, guitar), Eric Schoolz (bass), Gregory Maniago (synth, trumpet, percussion)

Mind transforming experiences are hard to come by. On Intellect, Vermont based post-punk band, Pons promises an experience that is almost seemingly connected to the brain. It is written all over the identity of the band, as their name is taken from a part of the brain. The album cover features brains. The album title is Intellect, which again is another term closely associated with the brain. Will you feel a grand transformation after listening to this record? In some way, ma

Chicago based artist Elenor Rose Lee, known by her stage name as Fever Queen, has created an extraordinary collection of songs that will be exciting for her to look back on for years to come. An avid journaler, the level of attention that the songs on The World of Fever Queen receive is something that many other artists, even those who are bigger than her can really envy and take note from. Fever Queen creates this thoughtful time capsule, making us feel not only like a touri

Shifts is a brilliant work of art that encapsulates a relationship between nature and humanity unlike any other record I have ever heard. With its beautiful droning synths intertwined beneath minimal acoustic guitar playing and delicate vocals, Sea Glass create this beautiful, almost autumnal sounding experimental-folk record worth listening to. The band, consisting of Matt Ashton, Melinda Bronstein (both from the drone pop group The Leaf Library,) and Mike Cranny (from the d

Soak is a record that I could see a lot of people really attaching to. It has everything most people could want in an emo/punk record. It has the ability to feel unapologetic and self aware in how it presents itself, a quality that many records that capture hoards of admirers possess. There are a lot of quirky qualities that add a lot of charm to what Guitar Fight from Fooly Cooly are doing here. Whether it be the very brief, yet fun math-rock inspired moments, or the samples